1. Avoid modifiers
2. Reduce everything to the existential horror of the materiality of the body.
3. Use simple language.
4. Stay away from anything remotely gestural
5. The prose surface should never be like glass.
6. All words should be of Anglo-Saxon origin. Latin corrupts. Except in this list.
7. Rack the history of English literature for variations on sentence form and steal them.
8. Do not be interested in the sublime; transcend nothing.
9. Subvert the speaker by using an additional, oppositional speaker that lurks beneath the surface.
10.Expressing nothing expresses everything.
Links
friendlies
Latest Comments
- Matt on the post On Dressing Like a Writer…by naomi
- Darren Rowse on the post Don’t Say Anything at All…by naomi
- Leigh on the post The Snake
- Gretchen on the post
- Gretchen on the post A poem I has writ
- katy flint on the post In-Class Exercise (3/14/07)…by naomi
- Glendon Mellow on the post Trilobite 3/11/07…by naomi
- Ian on the post Hey Kid
- Gretchen on the post Hey Kid
- Jason on the post Don’t Say Anything at All…by naomi
electric
electric
signals
electric
feel
electric
so
electric
real
electric
how
electric
can
electric
this
electric
be
electric
dust
electric
electric
electric